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Claude Code is having a moment. Anthropic’s agentic coding tool has gone viral over the past few weeks, with engineers and non-engineers alike discovering what it feels like to hand real work over to an AI and watch it execute autonomously. The popular tech podcast Hard Fork has already had two segments on it in the last two weeks. In the first, hosts Kevin Roose and Casey Newton share their Claude Code projects. And in the second, they highlight some from their listeners. (Alas, my Severance fan project did not make the cut.)

I’ve been using Cursor and Claude Code to build and rebuild this site for over a year now, so when I read this piece and see coders describing their experience with it, I understand the feeling.

Bradley Olson (gift link), writing for the Wall Street Journal:

Some described a feeling of awe followed by sadness at the realization that the program could easily replicate expertise they had built up over an entire career.

“It’s amazing, and it’s also scary,” said Andrew Duca, chief executive of Awaken Tax, a cryptocurrency tax platform. Duca has been coding since he was in middle school. “I spent my whole life developing this skill, and it’s literally one-shotted by Claude Code.”

Duca decided not to hire the engineers he’d been planning to bring on. He thinks Claude makes him five times more productive.

The productivity numbers throughout the piece are striking:

Malte Ubl is chief technology officer at Vercel, which helps develop and host websites and apps for users of Claude Code and other such tools. He said he used the tool to finish a complex project in a week that would’ve taken him about a year without AI. Ubl spent 10 hours a day on his vacation building new software and said each run gave him an endorphin rush akin to playing a Vegas slot machine.

But what caught my attention is what people are using it for beyond code—analyzing MRI data, recovering wedding photos from corrupted drives, monitoring tomato plants with a webcam. Olson again:

Unlike most app- or web-bound chatbots now in wide use, it can operate autonomously, with broad access to user files, a web browser and other applications. While technologists have predicted a coming era of AI “agents” capable of doing just about anything for humans, that future has been slow to develop. Using Claude Code was the first time many users interacted with this kind of AI, offering an inkling of what may be in store.

Anthropic took notice of course and launched a beta of Cowork last week.

Instead of the MS-DOS-like “command line” interface that the core app has, Cowork displays a more friendly, graphical user interface. They built the product in about 10 days—using Claude Code.

The closing question is the right one:

“The bigger story here is going to be when this goes beyond software engineering,” said David Hsu, chief executive of Retool, a business-AI startup. Software engineers make up a tiny fraction of the U.S. labor force. “How far does it go?”

Replace “software engineering” with “design” and you have the question I’m exploring this week.

Claude Code v2.0.0' terminal greeting "Welcome back Meaghan!" with orange pixel mascot; right column lists recent activity and new commands.

Claude Is Taking the AI World by Storm, and Even Non-Nerds Are Blown Away

(Gift link) Developers and hobbyists are comparing the viral moment for Anthropic’s Claude Code to the launch of generative AI

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A cut-up Sonos speaker against a backdrop of cassette tapes

When the Music Stopped: Inside the Sonos App Disaster

The fall of Sonos isn’t as simple as a botched app redesign. Instead, it is the cumulative result of poor strategy, hubris, and forgetting the company’s core value proposition. To recap, Sonos rolled out a new mobile app in May 2024, promising “an unprecedented streaming experience.” Instead, it was a severely handicapped app, missing core features and broke users’ systems. By January 2025, that failed launch wiped nearly $500 million from the company’s market value and cost CEO Patrick Spence his job.

What happened? Why did Sonos go backwards on accessibility? Why did the company remove features like sleep timers and queue management? Immediately after the rollout, the backlash began to snowball into a major crisis.

A collage of torn newspaper-style headlines from Bloomberg, Wired, and The Verge, all criticizing the new Sonos app. Bloomberg’s headline states, “The Volume of Sonos Complaints Is Deafening,” mentioning customer frustration and stock decline. Wired’s headline reads, “Many People Do Not Like the New Sonos App.” The Verge’s article, titled “The new Sonos app is missing a lot of features, and people aren’t happy,” highlights missing features despite increased speed and customization.

A futuristic scene with a glowing, tech-inspired background showing a UI design tool interface for AI, displaying a flight booking project with options for editing and previewing details. The screen promotes the tool with a “Start for free” button.

Beyond the Prompt: Finding the AI Design Tool That Actually Works for Designers

There has been an explosion of AI-powered prompt-to-code tools within the last year. The space began with full-on integrated development environments (IDEs) like Cursor and Windsurf. These enabled developers to use leverage AI assistants right inside their coding apps. Then came a tools like v0, Lovable, and Replit, where users could prompt screens into existence at first, and before long, entire applications.

A couple weeks ago, I decided to test out as many of these tools as I could. My aim was to find the app that would combine AI assistance, design capabilities, and the ability to use an organization’s coded design system.

While my previous essay was about the future of product design, this article will dive deep into a head-to-head between all eight apps that I tried. I recorded the screen as I did my testing, so I’ve put together a video as well, in case you didn’t want to read this.

Peter Yang has been doing some amazing experiments with gen AI tools. There are so many models out there now, so I appreciate him going through and making this post and video.

I made a video testing Claude 4, ChatGPT O3, and Gemini 2.5 head-to-head for coding, writing, deep research, multimodal and more. What I found was that the “best” model depends on what you’re trying to do.

Here’s a handy chart to whet your appetite.

Comparison chart of popular AI tools (ChatGPT, Claude, Gemini, Grok, Perplexity) showing their capabilities across categories like writing, coding, reasoning, web search, and image/video generation, with icons indicating best performance (star), available (check), or unavailable (X). Updated June 2025.

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ChatGPT vs Claude vs Gemini: The Best AI Model for Each Use Case in 2025

Comparing all 3 AI models for coding, writing, multimodal, and 6 other use cases

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Colorful illustration featuring the Figma logo on the left and a whimsical character operating complex, abstract machinery with gears, dials, and mechanical elements in vibrant colors against a yellow background.

Figma Make: Great Ideas, Nowhere to Go

Nearly three weeks after it was introduced at Figma Config 2025, I finally got access to Figma Make. It is in beta and Figma made sure we all know. So I will say upfront that it’s a bit unfair to do an official review. However, many of the tools in my AI prompt-to-code shootout article are also in beta. 

Since this review is fairly visual, I made a video as well that summarizes the points in this article pretty well.

Collection of iOS interface elements showcasing Liquid Glass design system including keyboards, menus, buttons, toggles, and dialogs with translucent materials on dark background.

Breaking Down Apple’s Liquid Glass: The Tech, The Hype, and The Reality

I kind of expected it: a lot more ink was spilled on Liquid Glass—particularly on social media. In case you don’t remember, Liquid Glass is the new UI for all of Apple’s platforms. It was announced Monday at WWDC 2025, their annual developers conference.

The criticism is primarily around legibility and accessibility. Secondary reasons include aesthetics and power usage to animate all the bubbles.

For as long as I can remember, I’d always loved magazines. Print magazines aren’t as trendy these days, but back in the day, I probably had at least a dozen magazine subscriptions. My favorites—naturally—were always the ones with great editorial design, art direction, and photography. Classics like Wired, Interview, Harper’s Bazaar, and Rolling Stone. And, of course, Colors.

The New York Times Magazine lists the top 25 magazine covers of all time. Their list includes classics like George Lois’s cover for Esquire posing Muhammad Ali as Saint Sebastian, the black on black post-9/11 cover for The New Yorker by Art Spiegelman and Françoise Mouly, and Annie Leibovitz’s photo of a clothed Yoko Ono and nude John Lennon for Rolling Stone.

The 25 Most Influential Magazine Covers of All Time

The 25 Most Influential Magazine Covers of All Time

(Gift link) Four editors, a creative director and a visual artist met to debate and discuss the best of print media — and its enduring legacy.

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Yesterday, Anthropic launched Cowork, a research preview that is essentially Claude Code but for non-coders.

From the blog announcement:

How is using Cowork different from a regular conversation? In Cowork, you give Claude access to a folder of your choosing on your computer. Claude can then read, edit, or create files in that folder. It can, for example, re-organize your downloads by sorting and renaming each file, create a new spreadsheet with a list of expenses from a pile of screenshots, or produce a first draft of a report from your scattered notes.

In Cowork, Claude completes work like this with much more agency than you’d see in a regular conversation. Once you’ve set it a task, Claude will make a plan and steadily complete it, while looping you in on what it’s up to. If you’ve used Claude Code, this will feel familiar—Cowork is built on the very same foundations. This means Cowork can take on many of the same tasks that Claude Code can handle, but in a more approachable form for non-coding tasks.

Apparently, Cowork was built very quickly using—naturally—Claude Code. Michael Nuñez in VentureBeat:

…according to company insiders, the team built the entire feature in approximately a week and a half, largely using Claude Code itself.

Alas, this is only available to Claude Max subscribers ($100–200 per month). I will need to check it out when it’s more widely available.

White jagged lightning-shape on a terracotta background with a black zigzag line connecting three solid black dots.

Introducing Cowork | Claude | Claude

Claude Code’s agentic capabilities, now for everyone. Give Claude access to your files and let it organize, create, and edit documents while you focus on what matters.

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Illustration of people working on laptops atop tall ladders and multi-level platforms, symbolizing hierarchy and competition, set against a bold, abstract sunset background.

The Design Industry Created Its Own Talent Crisis. AI Just Made It Worse.

This is the first part in a three-part series about the design talent crisis. Read Part II and Part III.

Part I: The Vanishing Bottom Rung

Erika Kim’s path to UX design represents a familiar pandemic-era pivot story, yet one that reveals deeper currents about creative work and economic necessity. Armed with a 2020 film and photography degree from UC Riverside, she found herself working gig photography—graduations, band events—when the creative industries collapsed. The work satisfied her artistic impulses but left her craving what she calls “structure and stability,” leading her to UX design. The field struck her as an ideal synthesis, “I’m creating solutions for companies. I’m working with them to figure out what they want, and then taking that creative input and trying to make something that works best for them.”

Since graduating from the interaction design program at San Diego City College a year ago, she’s had three internships and works retail part-time to pay the bills. “I’ve been in survival mode,” she admits. On paper, she’s a great candidate for any junior position. Speaking with her reveals a very thoughtful and resourceful young designer. Why hasn’t she been able to land a full-time job? What’s going on in the design job market?