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5 posts tagged with “creativity”

Noah Davis writing in Web Designer Depot, says aloud what I’d thought—but never wrote down—before AI, templates started to kill creativity in web design.

If you’re wondering why the web feels dead, lifeless, or like you’re stuck in a scrolling Groundhog Day of “hero image, tagline, three icons, CTA,” it’s not because AI hallucinated its way into the design department.

It’s because we templatified creativity into submission!

We used to design websites like we were crafting digital homes—custom woodwork, strange hallways, surprise color choices, even weird sound effects if you dared. Each one had quirks. A personality. A soul.

When I was coming up as a designer in the late 1990s and early 2000s, one of my favorite projects was designing Pixar.com. The animation studio’s soul—and by extension the soul I’d imbue into the website—was story. The way this manifest was a linear approach to the site, similar to a slideshow, to tell the story of each of their films.

And as the web design industry grew, and everyone needed and wanted a website, from Fortune 500s to the local barber shop, access to well-designed websites was made possible via templates.

Let’s be real: clients aren’t asking for design anymore. They’re asking for “a site like this.” You know the one. It looks clean. It has animations. It scrolls smoothly. It’s “modern.” Which, in 2025, is just a euphemism for “I want what everyone else has so I don’t have to think.”

Templates didn’t just streamline web development. They rewired what people expect a website to be.

Why hire a designer when you can drop your brand colors into a no-code template, plug in some Lottie files, and call it a day? The end result isn’t bad. It’s worse than bad. It’s forgettable.

Davis ends his rant with a call to action: “If you want design to live, stop feeding the template machine. Build weird stuff. Ugly stuff. Confusing stuff. Human stuff.”

AI Didn’t Kill Web Design —Templates Did It First

AI Didn’t Kill Web Design —Templates Did It First

The web isn’t dying because of AI—it’s drowning in a sea of templates. Platforms like Squarespace, Wix, and Shopify have made building a site easier than ever—but at the cost of creativity, originality, and soul. If every website looks the same, does design even matter anymore?

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Still from _The Brutalist_. An architect, holding a blueprint, is at the center of a group of people.

A Complete Obsession

My wife and I are big movie lovers. Every year, between January and March, we race to see all the Oscar-nominated films. We watched A Complete Unknown last night and The Brutalist a couple of weeks ago. The latter far outshines the former as a movie, but both share a common theme: the creative obsession.

Timothée Chalamet, as Bob Dylan, is up at all hours writing songs. Sometimes he rushes into his apartment, stumbling over furniture, holding onto an idea in his head, hoping it won’t flitter away, and frantically writes it down. Adrien Brody, playing a visionary architect named László Tóth, paces compulsively around the construction site of his latest project, ensuring everything is built to perfection. He even admonishes and tries to fire a young worker who’s just goofing off.

There is an all-consuming something that takes over your thoughts and actions when you’re in the groove willing something to life, whether it’s a song, building, design, or program. I’ve been feeling this way lately with a side project I’ve been working on off-hours—a web application that’s been consuming my thoughts for about a week. A lot of this obsession is a tenacity around solving a problem. For me, it has been fixing bugs in code—using Cursor AI. But in the past, it has been figuring out how to combine two disparate ideas into a succinct logo, or working out a user flow. These ideas come at all hours. Often for me it’s in the shower but sometimes right before going to sleep. Sometimes my brain works on a solution while I sleep, and I wake up with a revelation about a problem that seemed insurmountable the night before. It’s exhausting and exhilarating at the same time.

Gold #1

A Year of Learning

Obviously, Covid-19 wreaked havoc on the world and countless lives this past year. We all know someone who caught the virus or died from it, or we were infected ourselves. We tried to do our part by staying home to limit our exposure to other people. We stayed away from our loved ones to protect them and to slow the spread. To keep ourselves occupied, many of us took up baking, cooking, knitting, or exercising. I started on what would become a yearlong path of learning about whatever interested me.

YouTube as a Gateway to Knowledge

Video site YouTube saw an explosion in traffic from people bored in lockdown. I was one of them. At first, I was simply trying to learn how to optimize my work-from-home setup. Channels such as Podcastage and Curtis Judd taught me about microphones, and I upgraded my audio setup.

Scene from the TV show Mad Men featuring Peggy Olson seated at a desk with a quote beside her: “If you can’t tell the difference between which part’s the idea and which part’s the execution of the idea, you’re of no use to me.” – Peggy Olson.

Walking Over The Same Ground

Watching the premiere of Mad Men season six, I loved that Peggy Olson blasted her creative team for bringing her three variations on the same idea. These are words to remember.

Those are three different versions of the same idea.

If you can’t tell the difference between which part’s the idea and which part’s the execution of the idea, you’re of no use to me.

…Well I’m sorry to point it out, but you’re walking over the same ground. When you bring me something like this, it looks like cowardice.

Illustration of a lightbulb with a crown

Do Big Ideas Still Matter? Yes.

In the age of digital and social media, and in the age of realtime marketing, what matters more? The big idea or the smaller idea and execution?

Many digital agencies have been experimenting with new ways of working to try to get at those ideas and executions that a traditional agency couldn’t dream of. I was working at Organic when we rolled out the “Three Minds” initiative, meaning that for every brainstorm, we needed to have at least three people from three disciplines in the room. This is similar to what Big Spaceship has been trying to do by throwing together teams of creatives, strategists, technologists and production.

Digital agencies think that this is a point of differentiation. They think that online, social and viral are so complex that they need all this brainpower to figure it out. What ends up happening when you put a technologist and/or producer into a room with creatives? Executions. It’s a natural and inevitable thing. And I believe it’s a distraction from getting to a better and bigger idea.